The final part of the Satipatthana Sutta - and it's a good one!This week is the final article in a series on the Satipatthana Sutta, the early Buddhist discourse on how to practise mindfulness. Previous articles in this series have looked at mindfulness of the body (through mindfulness of breathing, scanning the body, the Four Elements and the charnel ground contemplations) mindfulness of vedana (the way each experience strikes us as pleasant, unpleasant or somewhere in between), mindfulness of mind states, and the beginning of the section on mindfulness of mental phenomena (covering the Five Hindrances and the Five Aggregates). This week we're finally coming to the end of this weighty discourse, looking at the Six Sense Spheres, the Seven Factors of Awakening, the Four Noble Truths, and the Buddha's predictions for the prospects of anyone who works diligently with these practices. It'll be another lengthy one this week, so let's get straight into it!
The six sense spheres The first practice we'll look at today is the six sense spheres (sometimes called the six sense bases). Here's what the Buddha has to say: Again, monks, in regard to dhammas [one] abides contemplating dhammas in terms of the six internal and external sense-spheres. And how does [one] in regard to dhammas abide contemplating dhammas in terms of the six internal and external sense-spheres? Here [one] knows the eye, [one] knows forms, and [one] knows the fetter that arises dependent on both, and [one] also knows how an unarisen fetter can arise, how an arisen fetter can be removed, and how a future arising of the removed fetter can be prevented. [One] knows the ear and sounds... the nose and odours... the tongue and flavours... the body and tangibles... the mind and mind-objects... The word being translated as 'sense-sphere' here is ayatana. Translations vary, but basically it means something like the 'domain' of a particular sense. Each sense is also broken down into its 'internal' and 'external' component, which means 'the sense organ' and 'the sense object' - so, for example, the eye (internal) and forms/coloured shapes (external), the ear (internal) and sounds (external) and so on. Sometimes you'll encounter these 'twelve ayatanas' mentioned in combination with the 'eighteen dhatus'. In the latter case, twelve of the eighteen are the sense organs and sense objects we've already seen, while the other six are the corresponding sense-consciousnesses, which tie together the sense organ and the sense object - so, for example, in order to have a visual experience, you need a functioning eye, one or more forms for the eye to perceive, and eye-consciousness to be in operation. The idea of six senses can sometimes strike Westerners as a bit funny - no Bruce Willis here, I'm afraid. As you can see from the list in the final paragraph, however, in the Buddha's way of viewing things, the thinking mind is considered the sixth 'sense organ', and the thoughts it thinks are considered the corresponding sense objects. (More generally, the sixth sense sphere covers 'mental activity', so if you regard emotions as partially or primarily mental phenomena, they go here too. Basically, if it isn't one of the first five, it's mental activity and goes in the sixth bucket.) The upshot of all this is that we're being asked to examine our sensory experience and our inner landscape, through the lens of these six senses. Even if we go no further than that, this can be an interesting practice in its own right. Simply following our experience moment to moment and noticing 'seeing, hearing, seeing, thinking, feeling, seeing...' can be a powerful insight practice in its own right - it's one form of the famous Mahasi 'noting' technique, and it works particularly well as an exploration of impermanence, because if you note for long enough you can't help but notice that your experience is constantly changing. However, the instructions in this discourse suggest that we go one step further than 'mere' noting. Look at that middle paragraph - we're invited to explore 'the fetter that arises dependent on [a sense organ and a sense object]', and to come to understand how that fetter arises, how an arisen fetter can be removed, and how a future arising of the removed fetter can be prevented. If you think this sounds a lot like the instructions for working with the Five Hindrances that we covered in the previous Satipatthana article, you'd be right! Once again we're interested in exploring the cause and effect relationship leading to unwholesome states of mind, and developing skill in letting go of those unwholesome states. (In just a moment we'll see the positive counterpart to this exercise, when we get to the Seven Awakening Factors.) But wait, what the heck is a fetter? The fetters There are actually various lists of 'fetters' - unwholesome mental factors leading to our general unhappiness - in the Pali Canon. The best known is the Ten Fetters, which are the factors which are progressively overcome as we go through the stages of awakening. It isn't totally clear whether the Satipatthana Sutta actually means the Ten Fetters, another list of fetters, or just negative states in general, but the Ten Fetters are an interesting list and give us some useful material for this practice, so let's take a look. At the first stage of awakening, stream entry, one is said to overcome the first three fetters:
All three are very effectively demolished by stream entry. The second stage of awakening (where one becomes a 'once-returner' - according to the old cosmology, reborn into the human realm at most one more time before attaining nibbana and escaping the wheel of rebirth altogether) doesn't actually eliminate any more fetters, but does substantially weaken the next two:
At the third stage (non-returner - no more icky human rebirths for you, only one more possible rebirth in a heavenly realm where you'll definitely attain full awakening in the next life), the fourth and fifth fetters are finally eliminated. Which leaves five 'higher' fetters for the final stage of awakening - where one becomes an arahant, a 'worthy one'. The remaining five are:
Working with the fetters in our practice Several of the fetters in the above list make for excellent themes of investigation in our exploration of the sense spheres. For example, we can look at the fourth and fifth - passion for pleasure and ill will, or more generally at craving and aversion. So, for example, if I'm paying close attention to my sensory experience, I might notice that when I see a chocolate bar, I experience a strong urge to eat it. The sense organ is the eye, the sense object is the chocolate bar, the fetter is craving. If I keep looking, I can also start to see the conditions for the arising of the fetter - for instance, if I'm at work and I'm tired and stressed, the craving is much more likely to arise than when I'm relaxed and content. Through practice, I can learn to catch that craving and let go of it without being forced to act on it - which is good for my waistline. And I can also learn from this how to avoid a future arising of the same fetter - by steering clear of the shop that sells the chocolate when I'm tired and stressed. The net result is that, by paying close attention to my sensory experience, I've now learnt how to deal with a particular category of unwholesome states. Another interesting fetter to explore is conceit - the arising of the sense of self. For example, you might notice that as you look around, part of you is automatically figuring out where 'you' are in relation to 'everything else around you' - I'm over here, the keyboard is just within reach, the picture on the wall is further away. Likewise with sounds, we locate the sound in space relative to ourselves - at the centre of awareness, the most important point, the point where 'I' can be found. Another way the sense of self comes up is in relation to our thoughts - for example, I notice that if I have a very clever thought, I tend to want to regard it is 'my thought', whereas if I have an inappropriate thought, I'm more likely to disown it and say 'I have no idea where that thought came from, that's not the kind of thing I would normally think!' It turns out that, through practice, we can actually learn to relax this continual grasping at our experience to identify parts of it as 'me', other parts as 'mine', and the rest as 'definitely not me'. Then our awareness opens up, and sensory experience is just happening - not me, not mine, not a problem. Check it out! The refrain, yet again Whichever method you like - simply noting sensory events, exploring craving and aversion, or investigating conceit - we're once again invited to generalise our practice, with the now-familiar refrain: In this way, in regard to dhammas [one] abides contemplating dhammas internally ... externally ... internally and externally. [One] abides contemplating the nature of arising ... of passing away ... of both arising and passing away in dhammas. Mindfulness that 'there are dhammas' is established in [oneself] to the extent necessary for bare knowledge and continuous mindfulness. And [one] abides independent, not clinging to anything in the world. In other words - notice that your experience is entirely based on these six senses, notice that everyone else's experience is entirely based on their own six senses as well, and then reflect on the universal nature of sensory experience. Notice your sensory experiences arising, notice them passing away, and reflect on the impermanence of sensory experience. Focus on the nature of your experience rather than getting lost in the content, and ultimately develop continuous mindfulness, which in the long run becomes its own reward, an activity worth pursuing for its own sake. Keep going, and have fun! The Seven Awakening Factors Our next practice in this jumbo-sized article is the positive counterpart to the Five Hindrances which we looked at last time - the Seven Awakening Factors, or Seven Factors of Awakening. Again, monks, in regard to dhammas [one] abides contemplating dhammas in terms of the seven awakening factors. And how does [one] in regard to dhammas abide contemplating dhammas in terms of the seven awakening factors? Here, if the mindfulness awakening factor is present in [oneself], [one] knows 'there is the mindfulness awakening factor in me'; if the mindfulness awakening factor is not present in [oneself], [one] knows 'there is no mindfulness awakening factor in me'; [one] knows how the unarisen mindfulness awakening factor can arise, and how the arisen mindfulness awakening factor can be perfected by development. If the investigation-of-dhammas awakening factor is present in [oneself]... if the energy awakening factor is present in [oneself]... if the joy awakening factor is present in [oneself]... if the tranquillity awakening factor is present in [oneself]... if the concentration awakening factor is present in [oneself]... if the equanimity awakening factor is present in [oneself]... This article is pretty long already and I've already written a detailed breakdown of the Awakening Factors, so I suggest you go and check out that article if you aren't already familiar with the list. (The first two sections - The Seven Factors of Awakening and Seven Steps to Awakening - are the relevant chunk for today's purposes.) As regards the practice suggested in the Satipatthana Sutta, it's precisely the positive counterpart of working with the Five Hindrances, or with the fetters as described above in the present article. In both cases we first have to start by identifying whether the relevant factor is present or not, which means getting familiar with how it feels to be tranquil, or restless, or whatever. Then, in the case of the unwholesome states, we learn how to let go of that state, we figure out what causes the state to arise, and we thus determine how to avoid that state arising in the future. In the case of wholesome states like the Seven Awakening Factors, the task instead is to figure out how to cause the state to arise, and, once it's arisen, how to cultivate it to be even better than it already is. I'm sure you get the idea, so I won't belabour the point. Instead, let's just touch in again with that ever-present refrain, and then move on to the final practice. In this way, in regard to dhammas [one] abides contemplating dhammas internally ... externally ... internally and externally. [One] abides contemplating the nature of arising ... of passing away ... of both arising and passing away in dhammas. Mindfulness that 'there are dhammas' is established in [oneself] to the extent necessary for bare knowledge and continuous mindfulness. And [one] abides independent, not clinging to anything in the world. Again - you're capable of wholesome states, and so is everyone else (even that one guy who hides it very well) - wholesome and unwholesome states have a tremendous influence in the world in general. If we see wholesome states arise and pass enough, we can come to appreciate their impermanence (and hence their preciousness). And so we keep going with our practice, hopefully shifting the balance away from the unwholesome and toward the wholesome. The Four Noble Truths The final practice, both in the fourth satipatthana and in the Satipatthana Sutta as a whole, is the Four Noble Truths. This is the only place where the shorter Satipatthana Sutta, Majjhima Nikaya 10, and the longer Mahasatipatthana Sutta, Digha Nikaya 22, differ - MN10 gives a brief exposition of the Four Noble Truths, whereas DN22 really breaks things out in tons of detail. For the sake of brevity, we'll go with the MN10 version today, but feel free to check out DN22 - it's good stuff. Again, monks, in regard to dhammas [one] abides contemplating dhammas in terms of the four noble truths. And how does [one] in regard to dhammas abide contemplating dhammas in terms of the four noble truths? Here [one] knows as it really is, 'this is dukkha'; [one] knows as it really is, 'this is the arising of dukkha'; [one] knows as it really is, 'this is the cessation of dukkha'; [one] knows as it really is, 'this is the way leading to the cessation of dukkha.' This is the beating heart of early Buddhism - the central theme of the Buddha's first discourse, and regarded by many as the single most important point in all of Buddhism. So it's perhaps fitting that it comes last in the discourse - after we've already sharpened our mindfulness skills by working on all the other exercises, training ourselves to see clearly and persistently, so that when we finally come to the Four Noble Truths, we've given ourselves the best possible starting point. Once again, just as with the Hindrances and the Awakening Factors, cause and effect is central to what's being offered here. The first two truths invite us to explore dukkha very deeply - to see the ultimately unsatisfactory nature of our impermanent sensory experience, and to understand how we cause ourselves to suffer unnecessarily as a result of trying to impose a sense of reliability and control onto our experience which fundamentally isn't supportable by what we're trying to work with. And then the last two truths invite us to see how our needless suffering can cease if we're only willing to let go of how we think things should be in order to accept them as they are, and then to cultivate the long path of practice which is required to integrate that attitude of clear seeing and deep acceptance into every moment of our lives. In this way, in regard to dhammas [one] abides contemplating dhammas internally ... externally ... internally and externally. [One] abides contemplating the nature of arising ... of passing away ... of both arising and passing away in dhammas. Mindfulness that 'there are dhammas' is established in [oneself] to the extent necessary for bare knowledge and continuous mindfulness. And [one] abides independent, not clinging to anything in the world. The further one travels down this path, the more one sees how clearly humanity as a whole lives in the grip of the false perceptions and assumptions that lead to suffering. As our own vision begins to clear even a little, one can't help but feel compassion for all the needless misery in the world. Fortunately, even suffering is impermanent, and it's something we can learn to work with, and eventually teach others to work with too. In the long run, we learn to walk the path leading to the end of suffering for its own sake, simply because it's a good way to live - it helps us, and it helps those around us. That's good enough for me. The end of the discourse, and the Buddha's encouragement to practise The Satipatthana Sutta finally ends with a kind of rallying cry - a reminder of the fruits of the practice, and the promise that those fruits can be yours if you can follow that practice diligently and consistently. (The time estimates should probably not be taken literally, although feel free to prove me wrong!) Monks, if anyone should develop these four satipaṭṭhānas in such a way for seven years, one of two fruits could be expected for [that person]: either final knowledge here and now, or, if there is a trace of clinging left, non-returning. Let alone seven years ... six years ... five years ... four years ... three years ... two years ... one year ... seven months ... six months ... five months ... four months ... three months ... two months ... one month ... half a month ... if anyone should develop these four satipaṭṭhānas in such a way for seven days, one of two fruits could be expected for [that person]: either final knowledge here and now, or, if there is a trace of clinging left, non-returning. So it was with reference to this that it was said: Monks, this is the direct path for the purification of beings, for the surmounting of sorrow and lamentation, for the disappearance of dukkha and discontent, for acquiring the true method, for the realization of Nibbāna, namely, the four satipaṭṭhānas. That is what the Blessed One said. The monks were satisfied and delighted in the Blessed One's words. And that brings us to the end of this fascinating discourse. I hope you've found something of value in here - I know it's been helpful for me to go through it in enough detail to put these articles together! May you live mindfully and at peace, not clinging to anything in the world. Be well.
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SEARCHAuthorMatt teaches early Buddhist and Zen meditation practices for the benefit of all. May you be happy! Archives
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